Voice Photo<\/a><\/u><\/span><\/span><\/span><\/p>\nBob Marley is flanked by Bunny Livingston (left) and Peter Tosh when they just formed The Wailin\u2019 Wailers. <\/span><\/span><\/span><\/p>\nBob Marley and The Wailers came to real international prominence in the early 1970s through the release of eight albums \u2013 <\/span><\/span><\/span><\/span>Catch a Fire<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Burning<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Natty Dread<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Rastaman Vibration<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Exodus, Kaya<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Survival<\/b><\/span><\/span><\/span><\/span>, and <\/span><\/span><\/span><\/span>Uprising<\/b><\/span><\/span><\/span><\/span> \u2013 produced by music mogul Chris Blackwell\u2019s Island Records between 1973 and 1980. Marley was already a household name in Jamaica from the late 1960s when he did some of his best early works for producer Lee \u2018Scratch\u2019 Perry. <\/span><\/span><\/span><\/span>Duppy Conqueror<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Small Axe<\/b><\/span><\/span><\/span><\/span>, and <\/span><\/span><\/span><\/span>African Herbsman<\/b><\/span><\/span><\/span><\/span> are among the popular cuts that Perry produced for The Wailers. The early Tuff Gong years, which followed shortly after with popular songs like <\/span><\/span><\/span><\/span>Trench Town Rock<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Screw Face<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Lick Samba<\/b><\/span><\/span><\/span><\/span>, and <\/span><\/span><\/span><\/span>Lively Up Yourself<\/b><\/span><\/span><\/span><\/span>, complemented the Scratch productions, and they became more like the template and foundation on which Marley\u2019s future career was built.<\/span><\/span><\/span><\/span><\/p>\nFrom the very outset, however, Marley\u2019s greatest ambition was to be a group singer. Being a solo artiste was furthest from his mind. According to Bunny Wailer, the other founding member of the Wailers, and with whom Bob shares a sister, \u201cBob\u2019s first recordings \u2013 solo cuts <\/span><\/span><\/span><\/span>Judge Not<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>One Cup of Coffee<\/b><\/span><\/span><\/span><\/span>, and <\/span><\/span><\/span><\/span>Terror<\/b><\/span><\/span><\/span><\/span> in the early 1960s for the Beverley\u2019s label, under the name Bobby Martel \u2013 were not Bob\u2019s real vision and desire for pursuing or establishing a musical performing career. He had often requested that we both should unite our talents and recruit other members so as to form a group of our own.\u201d This, Bunny disclosed in his CD-Box set, <\/span><\/span><\/span><\/span>Musically Speaking<\/b><\/span><\/span><\/span><\/span>.<\/span><\/span><\/span><\/span><\/p>\nThe commitment came to fruition with the recruiting of Peter Tosh, Junior Braithwaite, and Beverley Kelso. Including Bob Marley and Bunny Wailer, it was this quintet that entered the gates of Studio 1 at 13 Brentford Road (as it was known then) for the first time in late 1963 to do their debut recordings \u2013 <\/span><\/span><\/span><\/span>I Don\u2019t Need Your Love<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>Straight and Narrow Way<\/b><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span>